Producing Artistic Director: Kristen Coury
Casting: Michael Cassara Casting

Equity Principal Auditions:
Friday, June 1st, 9:30 AM to 5:30 PM at Actors' Equity Audition Center - Studio B

Please prepare one brief monologue. Also, please remember to bring a headshot and resume stapled together.

Actors of all races and ethnicities are encouraged to audition.

ART and GOD OF CARNAGE - REZA IN REP
Both plays by Yasmina Reza and translated by Christopher Hampton
ART - directed by Kristen Coury
GOD OF CARNAGE - directed by Cody Nickell

1ST rehearsal of Art: 9/17/12. 1st rehearsal of God of Carnage: 9/19/12. Shows Run: 10/16 - 11/18/12

ART - How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. Marc thinks it's anything but art, but it is the painting that offends him, or Serge's willingness to follow the latest trends? Don't miss this hilarious and acerbic Tony Award-winning comedy that examines the meaning of art, friendship, peer pressureÉand the ultimate value of those you love.

The following roles have been CAST. Actors will be considered for possible replacements if needed.

• Marc "Art"/Alan "Carnage" - a 40-something, smart, well-spoken man (Alan is a lawyer)
• Serge - late 30's early 40's, handsome, affable, intellectual and reactionary
• Yvan "Art"/Michael "Carnage"- late 30's early 40's - funny, loveable, emotional and a bit on the dramatic side (Michael sells plumbing supplies and can have a hard edge when necessary)

GOD OF CARNAGE - The Internationally-acclaimed comedy brings together two sets of Brooklyn parents after a playground altercation between their eleven-year-old boys. Though the meeting to resolve the matter begins with polite pleasantries, it quickly descends into primal madness as tempers flare, loyalties shift and the parents devolve into children. Don't miss this Tony Award-winning comedy that both strikes a chord and hits a funny bone all in one fell swoop!

Seeking:

• Annette Raleigh - Alan's wife. Mid 20's to Mid 40's. Smarter and funnier than Alan gives her credit for, and has been willing to live within this perceived role (though perhaps fraying at the edges). A bit high strung and very put together. A financial planner by trade.
• Veronica Novak - Michael's wife. Late 30's early 40's. She is a writer and art-historian. Uber-intellectual and a bit of a know-it-all. Domineering.

I AM MY OWN WIFE
By Doug Wright
Directed by Kristen Coury

1ST rehearsal: 12/17/12. Runs: 1/17 - 2/3/13

Winner of the 2004 Pulitzer Prize, the 2004 Tony Award, and the 2004 Drama Desk Award. Based on a true story, and inspired by interviews conducted by the playwright over several years, "I Am My Own Wife" tells the fascinating tale of Charlotte von Mahlsdorf a real-life German transvestite who managed to survive both the Nazi onslaught and the repressive East German Communist regime.

Seeking:

• MAN - 40 - 55 years old; this one man plays a total of 37 characters ranging in both gender and nationality including Charlotte von Mahlsdorf a German transvestite, a Texan journalist, a Nazi soldier, and the playwright himself.

THE IMPORTANCE OF BEING EARNEST
by Oscar Wilde
Director: Kristen Coury

1st rehearsal: 1/24/13. Runs: 2/14 - 3/3/13

Set in Victorian London, the play opens with Algernon Moncrieff, an idle young gentleman, receiving his best friend, whom he knows as Ernest Worthing. Ernest has come from the country to propose to Algernon's cousin, Gwendolen. Algernon, however, refuses his consent until Ernest explains why his cigarette case bears the inscription, "From little Cecily, with her fondest love to her dear Uncle Jack." "Ernest" is forced to admit to living a double life. Come see this hilarious comedy that reminds us of the importance of honesty, laughterÉand being earnest!

Seeking:

• John Worthing (Jack/Ernest) - 20's/30's; a Justice of the Peace; a seemingly responsible and respectable young man who leads a double life; guardian of Cecily Cardew
• Algernon Moncrieff - 20's/30's; a charming bachelor; best friend of Jack who he knows as Ernest and nephew of Lady Bracknell; brilliant, witty, selfish and amoral
• Rev. Canon Chasuble - 40's +; Rector of the Worthing estate; Doctor of Divinity; entertains secret romantic feelings for Miss Prism
• Lane/Merriman - One actor will play both of these roles: Lane only appears in Act I; Merriman only appears in Act II and III. Lane is Algernon Moncrieff's man-servant. Merriman is Butler to John Worthing
• Lady Bracknell - This role will be played by a man. 40's/50's; Algernon Moncrieff's snobbish, mercenary, and domineering aunt and Gwendolen's mother; primary goal is to see her daughter marry well; cunning, narrow-minded, and authoritative
• Gwendolen Fairfax - 20's/30's; Lady Bracknell's daughter and Algernon Moncrieff's cousin; in love with Jack whom she knows as Ernest; sophisticated, intellectual, cosmopolitan and utterly pretentious
• Cecily Cardew - 20's/30's; John Worthing's ward; intrigues by the idea of wickedness
• Miss Prism - 40's; Miss Cardew's governess; despite her rigidity seems to have a softer side; entertains romantic feelings for Rev. Chasuble

The Whipping Man
by Matthew Lopez
Directed by: Matt Pfeiffer

1st rehearsal: 2/25/13. Runs: 3/14 - 3/30/13

In 1865, The Civil War is over and throughout the south, slaves are being freed, soldiers are returning home and in Jewish homes, the annual celebration of Passover is being celebrated. Three men are at a crossroads - a Jewish Confederate soldier who has returned from battle, and his two former slaves. As the three men reunite to celebrate Passover, they wrestle with their shared past and the reality of the new world in which they find themselves. The Whipping Man is a play about redemption and forgiveness, about the lasting scars of slavery, and the responsibility that comes with freedom.

The following two roles have been CAST. Actors will be considered for possible replacements if needed.

• Caleb - late 20's to early 30's. Caucasian. A confederate soldier at the end of the civil war. Broken physically and spiritually. Attempting to adjust to the new world around him and holding fast to secrets he doesn't want to share.
• Simon - 50's -60's African American. Former slave with newly found freedom. Simon was the slave who ran the household. Illiterate, but deeply spiritual in the Jewish faith. A kind hearted and pragmatic man, but when angered, truly scary. Simon is the moral and spiritual center of this play.

Seeking:

• John - late 20's to early 30's. African American. John was raised along-side Caleb, until the master/slave relationship was forced on them. Well-read and angry, John wears his new freedom proudly. A trouble maker, righteously indignant, and also hiding secrets he would rather not reveal.

Master Class
By Terrence McNally
Directed by Kristen Coury

1ST rehearsal: 3/21/13. Show Runs: 4/4 - 4/21/13

This Tony-award winning play takes inspiration from the life of opera diva Maria Callas, after her voice has given out and she has taken to teaching Master Classes at Juilliard. Join her center stage as she coaxes, prods and inspires her opera students into giving the performances of their lives, while she entertains us with secrets of her own, while she reminisces on the triumphs and tragedies of her life and career. Filled with funny quips about life and love, insights into what it means to be human, and interesting perspectives on the creation of art and bringing a song to life, this beautiful musical play is not to be missed!

The following role has been CAST. Actors will be considered for possible replacements if needed.

• Manny - the accompanist. Jewish mid 30's to early 60's. Must play piano very well and serve as Music Director for the production. Does have lines and is on-stage throughout

Seeking:

• Maria Callas - mid 50's to early 60's, Greek/Italian mannerisms. A previous opera diva. Elegant, confident and intelligent. She can no longer sing. Wry and witty.
• First Soprano (Sophie) - Doesn't necessarily have "a look". Sweet. Must be able to sing opera. Specifically the aria "Ah, non credea mirarti".
• Second Soprano (Sharon) - Late 20's/early 30's. Must be able to sing opera. Specifically "Vieni, t'affretta"
• Tenor (Tony) - must sing "Recondita armonia" from Puccini's Tosca. Large, likeable, charming. Late 20's early 30's.
• Stagehand - mid 20's to mid 30's. Can be male or female.

(Naples, FL) SPT 9/10; $551/week (tier and salary approval pending)
Producing Artistic Director: Kristen Coury

Equity Principal Auditions:
Wednesday, May 30, 2012
10 AM - 6 PM
Lunch from 1 - 2.Naples, FL, 34102

at the Norris Center
755 8th Ave S.
Naples, FL, 34102

AND

Thursday, May 31, 2012
10 AM - 6 PM
Lunch from 1 - 2.

No appointment necessary. AEA members will be seen on a first come, first serve basis.

Please prepare two brief monologues - one comedic and one dramatic. Also, please remember to bring a headshot and resume stapled together.
For questions regarding auditions, please email Melanie at mlisby@gulfshoreplayhouse.org

Actors of all races and ethnicities are encouraged to audition!

ART and GOD OF CARNAGE - REZA IN REP

Both plays by Yasmina Reza and translated by Christopher Hampton
1ST rehearsal of Art: 9/17/12. 1st rehearsal of God of Carnage: 9/19/12. Shows Run: 10/16 - 11/18/12

ART - How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. It's about five feet by four, all white with white diagonal lines. Marc thinks it's anything but art, but it is the painting that offends him, or Serge's willingness to follow the latest trends? Don't miss this hilarious and acerbic Tony Award-winning comedy that examines the meaning of art, friendship, peer pressure...and the ultimate value of those you love.

The following roles have been CAST. Actors will be considered for possible replacements if needed.

• Marc "Art"/Alan "Carnage" - a 40-something, smart, well-spoken man (Alan is a lawyer)
• Serge - late 30's early 40's, handsome, affable, intellectual and reactionary
• Yvan "Art"/Michael "Carnage"- late 30's early 40's - funny, loveable, emotional and a bit on the dramatic side (Michael sells plumbing supplies and can have a hard edge when necessary)

GOD OF CARNAGE - The Internationally-acclaimed comedy brings together two sets of Brooklyn parents after a playground altercation between their eleven-year-old boys. Though the meeting to resolve the matter begins with polite pleasantries, it quickly descends into primal madness as tempers flare, loyalties shift and the parents devolve into children. Don't miss this Tony Award-winning comedy that both strikes a chord and hits a funny bone all in one fell swoop!

Seeking:

• Annette Raleigh - Alan's wife. Mid 20's to Mid 40's. Smarter and funnier than Alan gives her credit for, and has been willing to live within this perceived role (though perhaps fraying at the edges). A bit high strung and very put together. A financial planner by trade.
• Veronica Novak - Michael's wife. Late 30's early 40's. She is a writer and art-historian. Uber-intellectual and a bit of a know-it-all. Domineering.

I AM MY OWN WIFE
By Doug Wright
1ST rehearsal: 12/17/12. Runs: 1/17 - 2/3/13

Winner of the 2004 Pulitzer Prize, the 2004 Tony Award, and the 2004 Drama Desk Award.
Based on a true story, and inspired by interviews conducted by the playwright over several years, "I Am My Own Wife" tells the fascinating tale of Charlotte von Mahlsdorf a real-life German transvestite who managed to survive both the Nazi onslaught and the repressive East German Communist regime.

Seeking:

• MAN - 40 - 55 years old; this one man plays a total of 37 characters ranging in both gender and nationality including Charlotte von Mahlsdorf a German transvestite, a Texan journalist, a Nazi soldier, and the playwright himself.

THE IMPORTANCE OF BEING EARNEST
by Oscar Wilde
1st rehearsal: 1/24/13. Runs: 2/14 - 3/3/13

Set in Victorian London, the play opens with Algernon Moncrieff, an idle young gentleman, receiving his best friend, whom he knows as Earnest Worthing. Earnest has come from the country to propose to Algernon's cousin, Gwendolen. Algernon, however, refuses his consent until Earnest explains why his cigarette case bears the inscription, "From little Cecily, with her fondest love to her dear Uncle Jack." "Earnest" is forced to admit to living a double life. Come see this hilarious comedy that reminds us of the importance of honesty, laughter...and being earnest!

Seeking:

• John Worthing (Jack/Ernest) - 20's/30's; a Justice of the Peace; a seemingly responsible and respectable young man who leads a double life; guardian of Cecily Cardew
• Algernon Moncrieff - 20's/30's; a charming bachelor; best friend of Jack who he knows as Ernest and nephew of Lady Bracknell; brilliant, witty, selfish and amoral
• Rev. Canon Chasuble - 40's +; Rector of the Worthing estate; Doctor of Divinity; entertains secret romantic feelings for Miss Prism
• Lane/Merriman - One actor will play both of these roles: Lane only appears in Act I; Merriman only appears in Act II and III. Lane is Algernon Moncrieff's man-servant. Merriman is Butler to John Worthing
• Lady Bracknell - This role will be played by a man. 40's/50's; Algernon Moncrieff's snobbish, mercenary, and domineering aunt and Gwendolen's mother; primary goal is to see her daughter marry well; cunning, narrow-minded, and authoritative
• Gwendolen Fairfax - 20's/30's; Lady Bracknell's daughter and Algernon Moncrieff's cousin; in love with Jack whom she knows as Ernest; sophisticated, intellectual, cosmopolitan and utterly pretentious
• Cecily Cardew - 20's/30's; John Worthing's ward; intrigues by the idea of wickedness
• Miss Prism - 40's; Miss Cardew's governess; despite her rigidity seems to have a softer side; entertains romantic feelings for Rev. Chasuble

The Whipping Man
by Matthew Lopez
1st rehearsal: 2/25/13. Runs: 3/14 - 3/30/13

In 1865, The Civil War is over and throughout the south, slaves are being freed, soldiers are returning home and in Jewish homes, the annual celebration of Passover is being celebrated. Three men are at a crossroads - a Jewish Confederate soldier who has returned from battle, and his two former slaves. As the three men reunite to celebrate Passover, they wrestle with their shared past and the reality of the new world in which they find themselves. The Whipping Man is a play about redemption and forgiveness, about the lasting scars of slavery, and the responsibility that comes with freedom.

The following roles have been CAST. Actors will be considered for possible replacements if needed.

• Caleb - late 20's to early 30's. Caucasian. A confederate soldier at the end of the civil war. Broken physically and spiritually. Attempting to adjust to the new world around him and holding fast to secrets he doesn't want to share.
• Simon - 50's -60's African American. Former slave with newly found freedom. Simon was the slave who ran the household. Illiterate, but deeply spiritual in the Jewish faith. A kind hearted and pragmatic man, but when angered, truly scary. Simon is the moral and spiritual center of this play.

:Seeking:

• John - late 20's to early 30's. African American. John was raised along-side Caleb, until the master/slave relationship was forced on them. Well-read and angry, John wears his new freedom proudly. A trouble maker, righteously indignant, and also hiding secrets he would rather not reveal.

Master Class
By Terrence McNally
1ST rehearsal: 3/21/13. Show Runs: 4/4 - 4/21/13

This Tony-award winning play takes inspiration from the life of opera diva Maria Callas, after her voice has given out and she has taken to teaching Master Classes at Julliard. Join her center stage as she coaxes, prods and inspires her opera students into giving the performances of their lives, while she entertains us with secrets of her own, while she reminisces on the triumphs and tragedies of her life and career. Filled with funny quips about life and love, insights into what it means to be human, and interesting perspectives on the creation of art and bringing a song to life, this beautiful musical play is not to be missed!

The following roles have been CAST. Actors will be considered for possible replacements if needed.

• Manny - the accompanist. Jewish mid 30's to early 60's. Must play piano very well and serve as Music Director for the production. Does have lines and is on-stage throughout

Seeking:

• Maria Callas - mid 50's to early 60's, Greek/Italian mannerisms. A previous opera diva. Elegant, confident and intelligent. She can no longer sing. Wry and witty.
• First Soprano (Sophie) - Doesn't necessarily have "a look". Sweet. Must be able to sing opera. Specifically the aria "Ah, non credea mirarti".
• Second Soprano (Sharon) - Late 20's/early 30's. Must be able to sing opera. Specifically "Vieni, t'affretta"
• Tenor (Tony) - must sing "Recondita armonia" from Puccini's Tosca. Large, likeable, charming. Late 20's early 30's.
• Stagehand - mid 20's to mid 30's. Can be male or female.

Gulfshore Playhouse in Naples, FL is seeking a Technical Director/Master Electrician for their 2012-2013 season which runs from September 3, 2012 through April 27, 2013 and consists of six full-scale productions and numerous special events. Gulfshore Playhouse is a small, professional, not-for-profit theatre company operating on an SPT 10 Actor's Equity Association contract.

The Technical Director/Master Electrician is responsible for the realization of the scenic and lighting designs for each of the main stage productions, and for any technical elements for the special events throughout the 2012-2013 season including but not limited to the golf tournament, gala, sneak peek, and cabaret.

Responsibilities include:

• Budget both set and light designs to ensure feasibility and also complete realization of designs within allocated budget
• Draft construction drawings
• Coordinate the purchase of materials for the realization of all scenic and lighting designs
• Maintain an accurate account of all purchases
• Supervise a crew consisting of carpenters, interns/apprentices, scenic painter, and volunteers
• Oversee scenic construction, load ins, strikes, light hangs, and focuses
• Attend production meetings
• Program light console
• Perform, supervise, or coordinate all scenic or lighting notes given on rehearsal or performance reports
• Uphold educational responsibilities as a mentor for interns/apprentices as deemed by Producing Artistic Director
• Maintain organization and cleanliness of all shop and theatre work spaces
• Uphold standard of safety and safety regulations

We are looking for a strong, team-spirited self-starter who is excited to join a rapidly growing professional regional theatre. Leadership, organization, communication, time management, and people skills are a must.

Competitive salary and housing for non-locals is provided. Please specify if you have a personal car to use during your time in Naples.

Please send cover letter, resume, and a list of references electronically to Melanie Lisby, General Manager, at MLisby@gulfshoreplayhouse.org for review. We will perform background checks on all applicants.

Gulfshore Playhouse in Naples, FL is seeking Equity Stage Managers for their 2012-2013 season.

Gulfshore Playhouse is a small, professional, not-for-profit theatre company operating on an SPT 9 Actor's Equity Association contract. We are looking for strong, team-spirited self-starters who are excited to join a rapidly growing professional regional theatre. Applicants should be honest individuals who are pleasant with cast and crew alike and hold themselves to a high level of professionalism and integrity. We will be conducting interviews in both NYC and Naples, FL.

The first job opportunity will consist of:

• TBD Drama - starting rehearsals on December 28, 2012, opens on January 18, 2013, closes on February 3, 2013
• The Whipping Man - starting rehearsals on February 25, 2013, opens on March 15, 2013, and closes on March 30, 2013.

Position requires being on-site a week prior to rehearsal start date, and infrequent meetings by phone in advance.

The second job opportunity will consist of:

• The Importance of Being Earnest - starting rehearsals on January 24, 2013, opens on February 15, 2013, closes on March 3, 2013.

Position requires being on-site a week prior to rehearsal start date, and infrequent meetings by phone in advance.

Please send cover letter, resume, and a list of references electronically to Melanie Lisby, General Manager, at MLisby@gulfshoreplayhouse.org for review. We will perform background checks on all applicants.

Gulfshore Playhouse in Naples, FL is seeking a Costume Designer/Costumer for their 2012-2013 season which runs from September 3, 2012 through April 27, 2013 and consists of six full-scale productions and numerous special events.

Gulfshore Playhouse is a small, professional, not-for-profit theatre company operating on an SPT 10 Actor's Equity Association contract. We are looking for a strong, team-spirited self-starter who is excited to join a rapidly growing professional regional theatre.

The Costume Designer/Costumer will do all of the shopping, pulling, renting, altering, building, and/or designing of costumes and wigs for all shows as necessary. Each show will have different needs. They are responsible for prepping and maintaining costumes for all productions, including being fully responsible for the running, tracking, and repair of all costumes/wigs backstage during run of each show, all other Wardrobe duties including off-site laundry, and possibly assisting with other backstage run crew assignments. They will do the shopping for supplies/costumes and other necessities, sewing, research, any rental agreements, the organization of costume storage, paperwork, and other costume- and wardrobe-related tasks. Candidates should be extremely organized, positive, proactive, friendly and flexible.

Competitive salary and housing for non-locals is provided. This position includes driving responsibilities: to and from housing, to and from the theatre, to and from the off-site costume shop, and for all shopping and errands as needed. Please specify if you have a personal car to use during your time in Naples.

Please send cover letter, resume, and a list of references electronically to Melanie Lisby, General Manager, at MLisby@gulfshoreplayhouse.org for review. We will perform background checks on all applicants.

Gulfshore Playhouse in Naples, FL is seeking Designers for their 2012-2013 season which runs from September 3, 2012 through April 27, 2013 and consists of six full-scale productions and numerous special events.

Gulfshore Playhouse is a small, professional, not-for-profit theatre company operating on an SPT 10 Actor's Equity Association contract. We are looking for strong, team-spirited self-starters who are excited to join a rapidly growing professional regional theatre. We may combine some of these positions, so please indicate if you have additional theater experience and interests.

• Sound Design
• Lighting Design
• Set Design

Competitive salary and housing for non-locals is provided. Please specify if you have a personal car to use during your time in Naples.

Please send cover letter, resume, and a list of references electronically to Melanie Lisby, General Manager, at mlisby@gulfshoreplayhouse.org for review. We will perform background checks on all applicants.

Gulfshore Playhouse in Naples, FL is seeking a Theatre Administration Intern for their 2012-2013 season which runs from September 3, 2012 through April 27, 2013, and consists of six full-scale productions and numerous special events.

Gulfshore Playhouse is a small, professional, not-for-profit theatre company operating on an SPT 10 Actor's Equity Association contract. We are looking for strong, team-spirited self-starters who are excited to join a rapidly growing professional regional theatre. Scope of internships is cross divisional and as such, there is some room to cater to an individual's talents and interests. Please indicate if you have additional theater experience and interests.

The Theatre Administration Interns assists the General Manager, the Audience Services Manager, the Marketing Coordinator, and the Director of Education in the full range of activities necessary for the operation of the season, including but not limited to box office, front of house, marketing, development, company management, and special events. The Theatre Administration Intern must, at all times, work in a manner conducive to safe working procedures and conditions. There will be occasional additional administrative and technical duties as assigned by the General Manager and Production Manager.

Housing for non-locals is provided and a stipend will be offered. Please specify if you have a personal car to use during your time in Naples.

Please send cover letter, resume, and a list of references electronically to Melanie Lisby, General Manager, at mlisby@gulfshoreplayhouse.org for review. We will perform background checks on all applicants.

Gulfshore Playhouse in Naples, FL is seeking two Stage Management Interns for their 2012-2013 season and consists of six full-scale productions and numerous special events.

Gulfshore Playhouse is a small, professional, not-for-profit theatre company operating on an SPT 10 Actor's Equity Association contract. We are looking for strong, team-spirited self-starters who are excited to join a rapidly growing professional regional theatre. Scope of internships is cross divisional and as such, there is some room to cater to an individual's talents and interests. Please indicate if you have additional theater experience and interests.

The Stage Management Intern assists the Production Stage Manager in the full range of activities necessary for facilitating rehearsals and performances including, but not limited to, setting up and maintaining rehearsal environments, attending production meetings, tracking and running of technical elements (props, costume, etc.), assisting actors with lines, and serving as run crew for performances. The Stage Management Intern must, at all times, work in a manner conducive to safe working procedures and conditions. There will be occasional additional administrative and technical duties as assigned by the General Manager and Production Manager.

One Stage Management Intern will be contracted from September 3, 2012 - April 5, 2013 and will serve for the first, second, third, and fifth shows of the season. The second Stage Management Intern will be contracted from January 7, 2012 - April 27, 2013 and will serve for the fourth and sixth shows of the season. Please indicate your availability and preference for each position.

Housing for non-locals is provided and a stipend will be offered. Please specify if you have a personal car to use during your time in Naples.

Please send cover letter, resume, and a list of references electronically to Melanie Lisby, General Manager, at mlisby@gulfshoreplayhouse.org for review. We will perform background checks on all applicants.

Gulfshore Playhouse in Naples, FL is seeking Technical Theater Interns for their 2012-2013 season which runs from September 3, 2012 through April 27, 2013, and consists of six full-scale productions and numerous special events.

Gulfshore Playhouse is a small, professional, not-for-profit theatre company operating on an SPT 10 Actor's Equity Association contract. We are looking for strong, team-spirited self-starters who are excited to join a rapidly growing professional regional theatre. Scope of internships is cross divisional and as such, there is some room to cater to an individual's talents and interests. Please indicate if you have additional theater experience and interests.

The Technical Intern assists the Technical Director and the Master Electrician in the full range of activities necessary for the construction, load-in, hang, focus, and strike of sets and lights for the season. The Technical intern must, at all times, work in a manner conducive to safe working procedures and conditions. She/he must be comfortable working at heights (ladders, genie lifts, and scaffolding), be able to lift 50lbs, and be able to stand on feet for long periods of time. There will be occasional additional administrative and technical duties as assigned by the General Manager and Production Manager.

Housing for non-locals is provided and a stipend will be offered. Please specify if you have a personal car to use during your time in Naples.

Please send cover letter, resume, and a list of references electronically to Melanie Lisby, General Manager, at mlisby@gulfshoreplayhouse.org for review. We will perform background checks on all applicants.

Gulfshore Playhouse in Naples, FL is seeking Technicians for their 2012-2013 season which runs from September 3, 2012 through April 27, 2013 and consists of six full-scale productions and numerous special events.

Gulfshore Playhouse is a small, professional, not-for-profit theatre company operating on an SPT 10 Actor's Equity Association contract. We are looking for strong, team-spirited self-starters who are excited to join a rapidly growing professional regional theatre. We may combine some of these positions, so please indicate if you have additional theater experience and interests.

• Technical Director
• Master Electrician
• Carpenter
• Sound Engineer

Competitive salary and housing for non-locals is provided. Please specify if you have a personal car to use during your time in Naples.

Please send cover letter, resume, and a list of references electronically to Melanie Lisby, General Manager, at mlisby@gulfshoreplayhouse.org for review. We will perform background checks on all applicants.

If you like the idea of getting to see the show for free, and are willing to donate some of your time, we need you!

Ushers requirements are the following:

• Please be willing to usher for two shows of each performance (you will be able to watch once)
• Please be willing to arrive no later than 1 hour and 15 minutes before the performance
• Please be willing to stay after the show (if you watch) for five minutes to help us tidy up
• Please wear an outfit with black on the bottom and white on top, and most importantly, bring your smile!

If you're interested, please contact Melanie Lisby, Production Coordinator, at mlisby@gulfshoreplayhouse.org

ART SMART: The Gulfshore Playhouse Theatre Education Project is seeking vibrant arts educators/theatre professionals interested in teaching short outreach workshops during the school day.

If interested, please contact:

Irene Horowitz
Director Of Education
Gulfshore Playhouse
Email: IHorowitz@gulfshoreplayhouse.org
239-821-3895 (cell); or (239) 261-PLAY (7529) (office)
www.gulfshoreplayhouse.org